These are publications arising from and/or acknowledging the Wollheim Centenary Project.
Jim Berryman, ‘A Bibliography of the Writings of Richard Wollheim’ (2026).
A valuable if quite unexpected output from the project is Jim Berryman’s comprehensive bibliography of Wollheim’s works. While not planned as part of the Centenary project at the outset, it has arisen as a piece of research in a way that nicely justifies Wollheim’s own insistence on following enquiry where it leads. The Bibliography’s range shows up Wollheim’s extensive contribution to cultural commentary in the form of reviews and opinion pieces (over 200 in non-academic print media). As Berryman points out, we see here Wollheim in the role of public intellectual, firstly on political matters, later on cultural questions about art. This in itself is an intriguing area for research, one that Lesley Chamberlain’s piece, below, engages with, but much more remains to be undertaken. We thank Jim for his generosity in compiling the bibliography, which he has made freely available. We would be very pleased to hear of ideas for further enquiry that it suggests, and hope that any work it leads to will also acknowledge the Bibliography.
Jim Berryman, ‘On Style and Mere Stylishness in AI-generated Art’. Forthcoming in The Journal of Aesthetics and Art Criticism (Spring 2026).
Louise Braddock, ‘Bernard Williams and Richard Wollheim: Silent Interlocution’. Forthcoming in Philosophy.
Lesley Chamberlain, ‘A “Sublime” Friendship’ (Dublin Review of Books, July 2025).
Part of this essay develops and expands on a paper given by the author at the workshop, ‘Words and Pictures: How Art makes the Mind’, on 1 8 January 2025.
Niall Gildea, ‘Richard Wollheim as Poet’/’Three Poems’. Forthcoming in PN Review, 488: March-April 2026.
After Wollheim: The Richard Wollheim Centenary Project, phase 3 